超值精選 VA - Karajan Gold Series 卡拉揚發燒金碟系列古典樂 站長完整高音質APE超強合輯(250首合成一片DVD-APE)(DVD9版)
Herbert von Karajan - Deutsche Grammophon's Karajan Gold Series
Classical | EAC APE+CUE | 30CDs/7.6GB | Covers+Booklets | RS.com
BIOGRAPHY OF HERBERT VON KARAJAN
Born in Salzburg on April 5, 1908, Herbert von Karajan began studying the
piano at the age of four and performed for the first time in public at a
charity concert the following year. Karajan studied at the Mozarteum
Conservatory in Salzburg from 1916 until 1926 and was taught by Franz
Ledwinka, Franz Sauer and Bernhard Paumgartner, the last of whom encouraged
him to be trained as a conductor. He continued his studies at the Vienna
School of Music until 1929.
Karajan made his conducting debut in Salzburg on January 22, 1929. He first
participated in the Salzburg Festival in 1933 and the following year
conducted the Vienna Philharmonic for the first time. In 1938, he began his
long association with the Berlin Philharmonic, culminating with his
appointment as Music Director for Life in 1956.
Karajan was the Artistic Director of both the Vienna State Opera from 1957
until 1964 and the Salzburg Festival from 1956 until 1960. As director of the
Vienna State Opera, he also brought about an important collaboration
between the company and Teatro alla Scala, Milan, where he had conducted
regularly since his debut in 1948. In August 1964, Karajan was appointed to
the board of directors of the Salzburg Festival. Another milestone in
Karajan』s career was his founding of the popular Salzburg Easter Festival in
1967.
Karajan』s long and distinguished recording career with the Berlin
Philharmonic made him an international star. Over the years, these recordings
consistently set new audio and musical standards against which other
performances were judged. Among his many honours, Karajan received two
Gramophone awards for recordings with the Berlin Philharmonic in 1981:
Mahler』s Ninth Symphony, best orchestral recording; and the complete
Parsifal, record of the year.
Karajan and the Berlin Philharmonic toured the world frequently and to
great acclaim. In 1955, the orchestra made its first appearance in New York
and in a national tour of the United States, all under Karajan』s
direction, returning the following year and in many subsequent seasons.
Altogether between 1955 and 1982, Herbert von Karajan and the Berlin
Philharmonic played 105 concerts in the United States. Other notable
international tours included 11 visits to Japan -- the 1984 tour also took
them to Korea -- and, in 1978, their first concerts in China. In addition,
Karajan』s live concert broadcasts for German television from 1983 to 1986
enabled the Berlin Philharmonic to reach an audience well beyond the
traditional concertgoing public.
From his early years as a conductor, he enjoyed a distinguished association
with the Vienna Philharmonic in hundreds of concerts and recordings that also
form an important part of the Karajan legacy. In 1959, he toured the world
with the Vienna Philharmonic, including 10 concerts in the United States.
It was with this orchestra that Karajan undertook what would be his final
international tour in 1989, including three memorable concerts in New York.
Karajan also visited the United States with the Philharmonia Orchestra of
London. In the fall of 1955, he toured the United States with the
Philharmonia Orchestra, playing 24 concerts.
Throughout his career, Karajan championed the use of visual media and new
audio technology to enhance musical expression. Beginning in 1965, Karajan
produced films of concerts and operas in association with French film
director Henri-Georges Clouzot. Always interested in improving the
listening experience for his audience, Karajan quickly adopted
technological innovations. In January 1980, for example, Karajan made the
first digital recording of Mozart』s The Magic Flute, and at the Salzburg
Easter Festival on April 15, 1981, joined Polygram, Philips and Sony in
introducing the 「Compact Disc Digital Audio System」 to the music world.
Karajan founded Telemondial S.A.M. in 1982 to produce his complete repertoire
again for video-disc, a new visual medium and an undertaking in which he
had complete creative control of both vision and sound. In recognition of his
achievements in the adoption of stereo sound in television and his commitment
to the introduction of digital sound, Karajan was presented with the Eduard-
Rhein-Ring by the founders of Hor zu magazine in 1984.
Karajan was the recipient of many honours and awards, including the 「
Medaille de Vermeil」 in Paris, the Gold Medal of the Royal Philharmonic
Society in London (other conductors who have received this award include
Arturo Toscanini, Sir Thomas Beecham and Bruno Walter), the Olympia Award
of the Onassis Foundation in Athens and the UNESCO International Music
Prize.
Herbert von Karajan died in Salzburg on July 16, 1989.
THE KARAJAN GOLD SERIES
The compact disc, as a sound carrier, was still on the horizon when Herbert
von Karajan urged his record company to utilize the new digital technology in
his recordings. Consequently Karajan's Magic Flute, recorded in 1980,
became the first release of a Deutsche Grammophon digital production and
was first released on LP. By the time the maestro died in 1989, the CD had
finally replaced the LP as the primary sound carrier, yet he was realistic
enough to know that the pioneering early stages of the digital era would be
followed by further technical development. This is reflected in Karajan Gold.
In this series the later development of the digital process that occurs after
Karajan's death could be turned to the benefit of the Maestro's own
recordings. Thirty releases from the early digital era were remastered for
this series using DG's special Original-Image Bit-Processing technology. They
were issued between 1993-1995.
Beethoven; Symphonien Nos. 1 & 2 [DG 439 001-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/237MB | Cover+Booklet | RS.com
Beethoven; Symphonie No. 3 "Eroica" [DG 439 002-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/235MB | Cover+Booklet | RS.com
Beethoven; Symphonien Nos. 4 & 7 [DG 439 003-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/262MB | Cover+Booklet | RS.com
Beethoven; Symphonien Nos. 5 & 6 [DG 439 004-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/262MB | Cover+Booklet | RS.com
Beethoven; Symphonien No. 8 [DG 439 005-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/262MB | Cover+Booklet | RS.com
Beethoven; Symphonien No. 9 [DG 439 006-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/262MB | Cover+Booklet | RS.com
Brahms; Violin Concerto, Double Concerto [DG 439 007-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/330MB | Cover+Booklet | RS.com
Bruckner; Symphonie No.7 [DG 439 037-2] Karajan & Wiener Philharmoniker
Classical | EAC APE+CUE | 1CD/295MB | Cover+Booklet | RS.com
Debussy; La Mer - Ravel; Daphnis et Chloe [DG 439 008-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/224MB | Cover+Booklet | RS.com
Dvorak; Symphonie No.9 - Smetana; Moldau [DG 439 009-2] Karajan & Wiener
Philharmoniker
Classical | EAC APE+CUE | 1CD/235MB | Cover+Booklet | RS.com
Grieg; Peer Gynt Suite - Sibelius; Finlandia [DG 439 010-2] Karajan &
Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/319MB | Cover+Booklet | RS.com
Haydn; Symphoies No.94 & No.101 [DG 439 038-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/261MB | Cover+Booklet | RS.com
Holst; The Planets [DG 439 011-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/220MB | Cover+Booklet | RS.com
Mahler; Symphonie No.9 [DG 439 024-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 2CDs/361MB | Cover+Booklet | RS.com
Mozart; Grosse Messe C-Moll [DG 439 012-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/220MB | Cover+Booklet | RS.com
Mozart; Requiem [DG 439 023-2] Karajan & Wiener Philharmoniker
Classical | EAC APE+CUE | 1CD/242MB | Cover+Booklet | RS.com
Mussorgsky; Bilder Einer Ausstellung - Ravel; Bolero [DG 439 013-2] Karajan &
Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/269MB | Cover+Booklet | RS.com
R. Strauss; Also Sprach Zarathustra [DG 439 016-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/247MB | Cover+Booklet | RS.com
R. Strauss; Don Quixote [DG 439 027-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/261MB | Cover+Booklet | RS.com
R. Strauss; Ein Heldenleben [DG 439 039-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/343MB | Cover+Booklet | RS.com
R. Strauss; Eine Alpensinfonie [DG 439 017-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/240MB | Cover+Booklet | RS.com
Saint-Saens; Symphony No.3 [DG 439 014-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/165MB | Cover+Booklet | RS.com
Schumann & Grieg; Piano Concertos [DG 439 015-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/244MB | Cover+Booklet | RS.com
Shostakovich; Sinfonie No.10 [DG 439 036-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/220MB | Cover+Booklet | RS.com
Tchaikovsky; Romeo and Juliet [DG 439 021-2] Karajan & Berliner
Philharmoniker
Classical | EAC APE+CUE | 1CD/182MB | Cover+Booklet | RS.com
Tchaikovsky; Symphonie No.4 [DG 439 018-2] Karajan & Wiener Philharmoniker
Classical | EAC APE+CUE | 1CD/191MB | Cover+Booklet | RS.com
Tchaikovsky; Symphonie No.5 [DG 439 019-2] Karajan & Wiener Philharmoniker
Classical | EAC APE+CUE | 1CD/215MB | Cover+Booklet | RS.com
Tchaikovsky; Symphonie No.6 [DG 439 020-2] Karajan & Wiener Philharmoniker
Classical | EAC APE+CUE | 1CD/195MB | Cover+Booklet | RS.com
Verdi; Requiem [DG 439 033-2] Karajan & Wiener Philharmoniker
Classical | EAC APE+CUE | 2CDs/380MB | Cover+Booklet | RS.com
Wagner; Tristan und Isolde [DG 439 022-2] Karajan & Berliner Philharmoniker
Classical | EAC APE+CUE | 1CD/225MB | Cover+Booklet | RS.com
這套[卡拉揚古典金系列]和[卡拉揚全集240CD]不是同一套.
這套是精簡精華集,32CD;2011版
像[百科全書]一樣,有詳盡版有精簡版.收藏CD和圖書一樣,先求有再求全.
7.4G一次貼出,免德遺漏.那套全集很大,還是慢慢的貼.
光碟，作為一個健全的載體，還是在地平線上時，卡拉揚敦促他的唱片公司利用新的數
字技術在他的錄音。因此卡拉揚的魔笛，記錄在1980年成為第一個發佈的數位化生產和
DG公司首次發佈了LP。到時候大師逝世於 1989年，裁談會終於取代了LP為主要載體的聲
音，但他很現實地知道，??創業初期的數字時代之後將通過進一步的技術發展。這反映
在卡拉揚金。在本系列以後的發展的數位化進程發生後卡拉揚去世可能轉向造福於大師
自己的錄音。從早期的三發佈了數字時代修復此系列使用危險品的特殊原始圖像的位處
理技術。 1993-1995年間發行了他們。
指揮帝王----卡拉揚
歷史上，影響力越大的人物，爭議也就越大，古典樂壇一樣不例外。
指揮帝王卡拉揚就是最好的例子！
關於卡拉揚，風風雨雨，正反評價，即使去世多年，爭議依然那麼大！他對音樂的強烈
企圖，各種創新作法，運用科技在歌劇、音樂的重新架構上，充滿著前衛改革的精神，
但是，看在保守人士眼中，卡拉揚卻成了叛逆老人！
不過，如果我們仔細審視一下卡拉揚的一生，會發現卡拉揚從年輕開始便以天才指揮家
的身份縱橫樂壇，實力直逼4、50年帶當時樂壇的老指揮大師。二次大戰後，卡拉揚的活
動遭盟軍冷凍，福特萬格勒甚不喜歡他，因此卡拉揚在歐洲樂壇上的活動，的確碰到了
一些困難，可以說是他人生的低潮期。但是據他自述中描述，他在被冷凍的那一段時間
，不斷重新思考自我，重新調整步伐，重新剖析自己對音樂的理解。因此，50年代中期
他在出發，氣象全新，而且以迅雷不及掩耳之姿，立即佔領歐洲樂壇數個重鎮，勢力擴
張龐大驚人。
其中，最受人矚目的是，卡拉揚和柏林愛樂之間長期的互動關係，他以強韌的意志力重
塑柏林愛樂，努力追求他心目中的完美音樂，從他發行眾多的錄音當中，我們可以發現
到這一點。另外，許多曲目他重複錄音多次，每次都在試探音樂當中所可能達到的內涵
深度，雖然眾多錄音結果，樂迷接受的態度褒貶不一，但是那是涉及品味問題，俗語說
「論到品味無好壞」，哪一個音樂家呈現出來的音樂能夠放諸四海皆準？不過，不容置
疑的是卡拉揚所詮釋的不少作品，已經成為經典中的經典，那是許多人花了一輩子也永
遠達不到的境界！
但是卡拉揚嘗試呈現完美音樂的固執態度，確實是廿世紀指揮大師中的代表人物，因此
，尋找卡拉揚的定位，只要回歸他所留下豐富的錄音遺產中，應該就能以比較客觀的態
度找到真正的歷史定位！
卡拉揚簡介
如果說從影響力、行政能力、音樂改革這些方面來看，廿世紀古典樂壇上最重要的指揮
家，除了卡拉揚以外，非他人莫屬。
卡拉揚是一九０八年出生於奧地利的薩爾茲堡，他的祖父和父親都是醫生，而他父親還
曾經在薩爾茲堡的莫札特紀念管弦樂團裡吹奏單簧管。多少因為家庭背景關係，卡拉揚
自小就擁有的音樂天分，便能受到不錯的引導，三歲彈琴、五歲登台演出，算來也是一
位神童。
為什麼會擁有這樣的天分，卡拉揚自己也很難說清楚，他說：「我自己也不知道為什麼
，但是，我非常好學，學什麼就一定要學會，練什麼就非練好不可，並且排除雜念，專
心作自己的事。」或許，這一種不服輸以及專注的個性，也成為日後卡拉揚成功的條件
之一。
然而，真正讓卡拉揚接觸並且挖掘他的指揮天分的人，正是當時薩爾茲堡的一位重要人
士------包姆加特納-----他認為卡拉揚永遠不會滿足於用十根手指頭創造音樂，這也就
是說，不論演奏哪一種樂器都很難完全表達出卡拉揚內心所呈現的音樂意念，也因此卡
拉揚和指揮事業，有了最初的開始。但是，卡拉揚的父親並不希望他以音樂維生，反而
希望他有個比較實際的行業，所以他進入了維也納的一所技術學校。但是同時，卡拉揚
繼續和大鋼琴家霍夫曼學習鋼琴，結果很有趣的是，三個月後，霍夫曼又對他說：「你
對音樂有敏銳的感覺和豐富的想像力，如果想充分表達他們，除非你有八隻手……」意
思就是說，卡拉揚必須當一位指揮家，用他的腦和豐富的想像力，調和百人的大樂團，
才能創造完美的音樂，也因此，卡拉揚下定決心，要以音樂當作一輩子的事業！
後來，卡拉揚在烏爾姆的一個小劇院，紮紮實實的磨練了七年，當時這個小劇院非常克
難，樂團只有廿一人，佈景、臨時演員、服裝道具，幾乎樣樣都得自己動手，也因此，
累積他雄厚的歌劇指揮及製作經驗。一九三五年，廿七歲的卡拉揚接任當時德國亞琛歌
劇院的首席指揮，接著擔任音樂總監，成為當時德國境內最年輕的音樂總監。二次大戰
後，卡拉揚遇到一位影響他一生的貴人，當時EMI的製作人華爾特?李格。李格在聽過卡
拉揚和維也納愛樂的排練後，深深感動，於是邀請卡拉揚和維也納愛樂為EMI灌錄音樂，
甚至還特別為卡拉揚錄音之用而創立了愛樂管弦樂團。李格便曾經說過：「觀看卡拉揚
排練，真
是一次偉大的經驗……在排練中，我從來就沒有聽到他高聲講話。他幾乎不說話，一切
都是靠動作完成，他很清楚他要做什麼，他擁有這種奇特的，不出聲的權威！」
一九五０年代，福特萬格勒去世，卡拉揚在歐洲的指揮事業迅速發展，接任柏林愛樂、
維也納國立歌劇院、薩爾茲堡音樂節，甚至創辦了復活節音樂會、兩年一次的國際青年
指揮家大賽，幾乎一手主導歐洲樂壇動向。然而影響力越大，爭議越大，開始有許多人
從非音樂的角度批判他，即使批評音樂，也從非常主觀的角度評論，但是卡拉揚受到歡
迎的程度依然不變。從一九五０年代活到八九年，這一段期間，卡拉揚錄製下無數經典
的錄音，留給後代無數的音樂寶藏，據一項保守估計，卡拉揚的錄音，在全世界至少賣
出了一億張CD，這是非常驚人的數字，至少目前還沒有什麼人能和他相互媲美。做為一
位指揮家，卡拉揚對樂壇的影響就像他所說的：「我的筆在樂團團員的身上，留下痕跡
……」而現在，我們則透過錄音，捕捉到卡拉揚筆下，所寫出瑰麗深刻的音樂世界。
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